ONODERA Yuki: Difference between revisions
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'''Awards''' | '''Awards''' | ||
1st New Cosmos of Photography Award, 1991; The 21st Kodak Prize of Critical Photography, 1996, France; The Higashikawa Prize, 2001; Newcomer's Award, Photographic Society of Japan, 2002. | 1st New Cosmos of Photography Award, 1991; The 21st Kodak Prize of Critical Photography, 1996, France; The Higashikawa Prize, 2001; Newcomer's Award, Photographic Society of Japan, 2002. | ||
==cameraChimera== | |||
<HTML><img src="http://photoguide.jp/images/who/onodera.jpg" hspace="10" vspace="10" align="right"></HTML> | |||
Published: 2002-09-10 | |||
Publisher: Suiseisha | |||
ISBN: 4891764775 | |||
Price in Japan: Y5,250 | |||
Qualities: A4, 127 pp., Hard cover, B/W photos | |||
Language: Japanese and English | |||
The photographer won the prestigious Kimura Ihei Prize with this book. It starts with portraits of used clothes and moves on to flying tin cans, distorted faces, window lights of houses in the dark, and crowds of people. It's one of those, "It looks interesting but I don't understand it..." | |||
The book is a bit pricey for its normal size. At least an English translation is provided for the hard-to-read essay. | |||
[[Category:Japanese Photographers]] | [[Category:Japanese Photographers]] | ||
[[Category:Japanese photography]] | [[Category:Japanese photography]] | ||
[[Category:Japanese photobooks]] | |||
Latest revision as of 13:58, 24 January 2016
ONODERA Yuki オノデラ ユキ (1962- ) Tokyo. Well-established woman fine-art photographer who has been able to produce acclaimed work on a consistent basis. Based in Paris, France. Represented by Zeit-Foto Salon in Tokyo.
Awards 1st New Cosmos of Photography Award, 1991; The 21st Kodak Prize of Critical Photography, 1996, France; The Higashikawa Prize, 2001; Newcomer's Award, Photographic Society of Japan, 2002.
cameraChimera
Published: 2002-09-10
Publisher: Suiseisha
ISBN: 4891764775
Price in Japan: Y5,250
Qualities: A4, 127 pp., Hard cover, B/W photos
Language: Japanese and English
The photographer won the prestigious Kimura Ihei Prize with this book. It starts with portraits of used clothes and moves on to flying tin cans, distorted faces, window lights of houses in the dark, and crowds of people. It's one of those, "It looks interesting but I don't understand it..."
The book is a bit pricey for its normal size. At least an English translation is provided for the hard-to-read essay.